Ed Nisley's Blog: Shop notes, electronics, firmware, machinery, 3D printing, laser cuttery, and curiosities. Contents: 100% human thinking, 0% AI slop.
Tag: Improvements
Making the world a better place, one piece at a time
Our shiny new Subaru Forester came with a 540 page user manual and, being that type of guy, I’ve been reading through it. I suspect warnings like this come from a lawsuit in the not-too-far-distant past:
Camera Disassembly Warning
They seem to be very, very worried about small animals:
Check for Small Animals
In this situation, I’d hope the engine would fare better than, say, a squirrel:
Trapping Small Animals
Unlike the Toyota Sienna’s enclosed belt, I could actually replace this one, so I suppose a squirrel could take up residence somewhere in there:
Subaru Forester – belt and oil filter
And look at that oil filter: right up top, inside a bowl! The never-sufficiently-to-be-damned Toyota engineers mounted the Sienna’s filter horizontally, halfway up the side of the transverse V6 engine, where it slobbers oil down the block and over the front exhaust manifold.
When Aitch moved to NC, he unloaded a stack of printer paper on me to avoid paying half a buck a pound to haul it along. One package contained some high-end HP photo paper that, not being a high-end photo kind of guy, I figured I’d use for my 3D printing brag sheets.
Alas, after trying several permutations of image quality / paper type / ink density, it seems that the cheap generic ink I’m using in the Epson R380 simply isn’t compatible with the HP paper. The top image shows that the ink doesn’t wet the paper and forms a weird alligator-skin pattern:
HP vs Staples Glossy Photo Paper
The bottom image looks perfectly fine; it’s on cheap Staples photo paper, printed with the usual Photo quality on Photo paper.
I’ve read vague statements here-and-there that some HP ink uses an entirely different chemistry from the usual inkjet printers and, perhaps, that accounts for the mismatch. Not a problem, but it did blow an hour while proving that it wasn’t the configuration settings doing me in.
Some pix that serve as a stick in the ground showing that my current Slic3r configuration constellation doesn’t produce thin infill…
All of the layers in the 20 mm calibration cube look just like this:
Solid cube – Slic3r normal infill
The bottom layer of the Tux mold comes out solid:
Tux thread fill – bottom
As does the top:
Tux thread fill – top
The Gcode Analyzeralgorithm that assigns colors to numeric values tends to produce many aliases, although most of the time you can figure out what’s going on. If somebody wants to dive into the code, I’d like to have unique colors and get the color table sorted in ascending order.
The current Slic3r configuration:
# generated by Slic3r 1.1.1 on Sat May 3 10:31:36 2014
avoid_crossing_perimeters = 0
bed_size = 190,250
bed_temperature = 70
bottom_solid_layers = 3
bridge_acceleration = 0
bridge_fan_speed = 100
bridge_flow_ratio = 1
bridge_speed = 150
brim_width = 0
complete_objects = 0
cooling = 1
default_acceleration = 0
disable_fan_first_layers = 1
duplicate_distance = 6
end_gcode = ;-- Slic3r End G-Code for M2 starts --\n; Ed Nisley KE4NZU - 15 November 2013\nM104 S0 ; drop extruder temperature\nM140 S0 ; drop bed temperature\nM106 S0 ; bed fan off\nG1 Z180 F2000 ; lower bed\nG1 X130 Y125 F30000 ; nozzle to right, bed front\nM84 ; disable motors\n;-- Slic3r End G-Code ends --
external_perimeter_speed = 25
external_perimeters_first = 0
extra_perimeters = 1
extruder_clearance_height = 25
extruder_clearance_radius = 15
extruder_offset = 0x0
extrusion_axis = E
extrusion_multiplier = 1.07
extrusion_width = 0.4
fan_always_on = 0
fan_below_layer_time = 30
filament_diameter = 1.79
fill_angle = 45
fill_density = 100%
fill_pattern = rectilinear
first_layer_acceleration = 0
first_layer_bed_temperature = 70
first_layer_extrusion_width = 0.4
first_layer_height = 100%
first_layer_speed = 25
first_layer_temperature = 175
g0 = 0
gap_fill_speed = 50
gcode_arcs = 0
gcode_comments = 0
gcode_flavor = reprap
infill_acceleration = 0
infill_every_layers = 3
infill_extruder = 1
infill_extrusion_width = 0
infill_first = 1
infill_only_where_needed = 0
infill_speed = 150
interface_shells = 0
layer_gcode =
layer_height = 0.2
max_fan_speed = 100
min_fan_speed = 75
min_print_speed = 4
min_skirt_length = 15
notes =
nozzle_diameter = 0.35
only_retract_when_crossing_perimeters = 1
ooze_prevention = 0
output_filename_format = [input_filename_base].gcode
overhangs = 1
perimeter_acceleration = 0
perimeter_extruder = 1
perimeter_extrusion_width = 0.4
perimeter_speed = 150
perimeters = 2
post_process =
print_center = 0,0
raft_layers = 0
randomize_start = 1
resolution = 0.05
retract_before_travel = 1
retract_layer_change = 0
retract_length = 1
retract_length_toolchange = 5
retract_lift = 0
retract_restart_extra = 0
retract_restart_extra_toolchange = 0
retract_speed = 60
skirt_distance = 3
skirt_height = 1
skirts = 3
slowdown_below_layer_time = 20
small_perimeter_speed = 25
solid_fill_pattern = rectilinear
solid_infill_below_area = 5
solid_infill_every_layers = 0
solid_infill_extrusion_width = 0
solid_infill_speed = 150
spiral_vase = 0
standby_temperature_delta = -5
start_gcode = ;-- Slic3r Start G-Code for M2 starts --\n; Ed Nisley KE4NZU - 15 Nov 2013\n; 28 Feb 2014 - 6 Mar 2014 - tweak Z offset\n; Z-min switch at platform, must move nozzle to X=130 to clear\nM140 S[first_layer_bed_temperature] ; start bed heating\nG90 ; absolute coordinates\nG21 ; millimeters\nM83 ; relative extrusion distance\nG92 Z0 ; set Z to zero, wherever it might be now\nG1 Z10 F1000 ; move platform downward to clear nozzle; may crash at bottom\nG28 Y0 ; home Y to be sure of clearing probe point\nG92 Y-127 ; set origin so 0 = center of plate\nG28 X0 ; home X\nG92 X-95 ; set origin so 0 = center of plate\nG1 X130 Y0 F30000 ; move off platform to right side, center Y\nG28 Z0 ; home Z with switch near center of platform\nG92 Z-4.40 ; set origin to measured z offset\nG0 Z2.0 ; get air under switch\nG0 Y-127 F10000 ; set up for priming, zig around corner\nG0 X0 ; center X\nM109 S[first_layer_temperature] ; set extruder temperature and wait\nM190 S[first_layer_bed_temperature] ; wait for bed to finish heating\nG1 Z0.0 F500 ; put extruder near plate \nG1 E25 F300 ; prime to get pressure, generate blob\nG1 Z5 F2000 ; rise above blob\nG1 X15 Y-125 F20000 ; jerk away from blob, move over surface\nG1 Z0.0 F1000 ; dab nozzle to attach outer snot to platform\nG4 P1 ; pause to attach\nG1 X35 F500 ; slowly smear snot to clear nozzle\nG1 Z1.0 F2000 ; clear bed for travel\n;-- Slic3r Start G-Code ends --
start_perimeters_at_concave_points = 1
start_perimeters_at_non_overhang = 1
support_material = 0
support_material_angle = 0
support_material_enforce_layers = 0
support_material_extruder = 1
support_material_extrusion_width = 0
support_material_interface_extruder = 1
support_material_interface_layers = 0
support_material_interface_spacing = 0
support_material_pattern = honeycomb
support_material_spacing = 2.5
support_material_speed = 150
support_material_threshold = 0
temperature = 175
thin_walls = 1
threads = 2
toolchange_gcode =
top_infill_extrusion_width = 0.4
top_solid_infill_speed = 25
top_solid_layers = 3
travel_speed = 250
use_firmware_retraction = 0
use_relative_e_distances = 0
vibration_limit = 0
wipe = 0
z_offset = 0
After replacing the front wheel bearings, I replaced both pairs of brake pads. The rear brakes use holders with slide-in pads, but I’ve never been happy with the dinky little pins that retain the pads, so this time I’m using ordinary cotter pins:
V-brake pads – cotter pin retainer
The rear brake pads on a diamond-frame bike sit nearly horizontally on the seat stays, with the pin head pointed upward. On Tour Easy recumbents, the pads stand almost vertically on the chain stays, with the pins sideways:
Tour Easy rear brakes
That photo dates to 2010, when those brakes were new. Nary a pin has worked loose yet and I don’t expect they ever will, but …
If the pins rust before the pads wear out, I’ll go back to those little bitty OEM stainless pins.
The Sony HDR-AS30V camera lens has a view angle of 120° or 170°, achieved by internal image processing rather than mechanical lens adjustments. For most action-camera purposes you don’t care about fisheye distortion, but sometimes a more rectilinear picture will look better, in which case the GIMP’s Lens Distortion filter comes in handy.
A still image at 120°, which doesn’t look all that bad, really:
Sony HDR-AS30V 120 angle – as captured
Applying Main=-25 gives this:
Sony HDR-AS30V 120 angle – corrected
A frame captured from video at 170°, with the overhead wires hanging upward:
Sony HDR-AS30V 170 angle – as captured
Applying Main=-25, Edge=-12.5, Zoom=+8 flattens them enough to be acceptable:
Sony HDR-AS30V 170 angle – corrected
The main effect of the Zoom parameter seems to be discarding the severely distorted remnants around the edges of the corrected 170° view. Sometimes, those pixels around the edges can be very, very important, so I’d rather make that decision after the fact.
As I recall, a few weeks after I bought this packing tape dispenser, I dropped it with the nut downward, whereupon all six of the little tabs that were supposed to hold the tape roll in place broke off, allowing the roll to walk off the holder. Having put up with that for far too long (I don’t do a lot of shipping these days), I finally drilled and tapped three 4-40 holes and ran a trio of setscrews against the inside of the roll core:
Packing tape dispenser – improved spool holder
The holes are angled so that the setscrews bite into the core just enough to prevent it from walking away, but I can still pull the roll off when it’s empty.
Natural PLA provides a nice, crystalline appearance:
Kenmore 158 Sewing Machine – Cool white LEDs – rear no flash
Cool white LEDs have somewhat higher lumen/watt efficiency, but the real gain came from doubling the number of LEDs:
Kenmore 158 Sewing Machine – Cool white LEDs – front flash
I overvolted the warm white LEDs to 14 V to get closer to 20 mA/segment, but the cool white ones run pretty close to 20 mA at 12 V, so I didn’t bother.
Commercial versions of this hack secure the wiring with little white clips and foam tape, so I should conjure up something like that. Mary specifically did not want the lights affixed under the arm, though, so those things weren’t even in the running.
The OpenSCAD source code widens the mount and moves the wiring conduit a little bit, to simplify the connections to both strips, but is otherwise identical to the earlier version:
// LED Strip Lighting Brackets for Kenmore Model 158 Sewing Machine
// Ed Nisley - KE4ZNU - March 2014
Layout = "Build"; // Build Show Channels Strip
//- Extrusion parameters must match reality!
// Print with 2 shells and 3 solid layers
ThreadThick = 0.20;
ThreadWidth = 0.40;
HoleWindage = 0.2; // extra clearance
Protrusion = 0.1; // make holes end cleanly
AlignPinOD = 1.70; // assembly alignment pins: filament dia
inch = 25.4;
function IntegerMultiple(Size,Unit) = Unit * ceil(Size / Unit);
//----------------------
// Dimensions
Segment = [25.0,10.0,3.0]; // size of each LED segment
SEGLENGTH = 0;
SEGWIDTH = 1;
SEGHEIGHT = 2;
WireChannel = 3.0; // wire routing channel
StripHeight = 12.0; // sticky tape width
StripSides = 8*4;
DefaultLayout = [1,2,"Wire","NoWire"];
NUMSEGS = 0;
NUMSTRIPS = 1;
WIRELEFT = 2;
WIRERIGHT = 3;
EndCapSides = StripSides;
CapSpace = 2.0; // build spacing for endcaps
BuildSpace = 3.0; // spacing between objects on platform
//----------------------
// Useful routines
module PolyCyl(Dia,Height,ForceSides=0) { // based on nophead's polyholes
Sides = (ForceSides != 0) ? ForceSides : (ceil(Dia) + 2);
FixDia = Dia / cos(180/Sides);
cylinder(r=(FixDia + HoleWindage)/2,
h=Height,
$fn=Sides);
}
module ShowPegGrid(Space = 10.0,Size = 1.0) {
RangeX = floor(100 / Space);
RangeY = floor(125 / Space);
for (x=[-RangeX:RangeX])
for (y=[-RangeY:RangeY])
translate([x*Space,y*Space,Size/2])
%cube(Size,center=true);
}
//-- The negative space used to thread wires into the endcap
module MakeWireChannel(Layout = DefaultLayout,Which = "Left") {
EndCap = [(2*WireChannel + 1.0),Layout[NUMSTRIPS]*Segment[SEGWIDTH],StripHeight]; // radii of end cap spheroid
HalfSpace = EndCap[0] * ((Which == "Left") ? 1 : -1);
render(convexity=2)
translate([0,Segment[SEGWIDTH]/2,0])
intersection() {
union() {
cube([2*WireChannel,WireChannel,EndCap[2]],center=true);
translate([-2*EndCap[0],0,EndCap[2]/2])
rotate([0,90,0]) rotate(180/6)
PolyCyl(WireChannel,4*EndCap[0],6);
}
translate([HalfSpace,0,(EndCap[2] - Protrusion)]) {
cube(2*EndCap,center=true);
}
}
}
//-- The whole strip, minus wiring channels
module MakeStrip(Layout = DefaultLayout) {
EndCap = [(2*WireChannel + 1.0),Layout[NUMSTRIPS]*Segment[SEGWIDTH],StripHeight]; // radii of end cap spheroid
BarLength = Layout[NUMSEGS] * Segment[SEGLENGTH]; // central bar length
hull()
difference() {
for (x = [-1,1]) // endcaps as spheroids
translate([x*BarLength/2,0,0])
resize(2*EndCap) rotate([0,90,0]) sphere(1.0,$fn=EndCapSides);
translate([0,0,-EndCap[2]])
cube([2*BarLength,3*EndCap[1],2*EndCap[2]],center=true);
translate([0,-EndCap[1],0])
cube([2*BarLength,2*EndCap[1],3*EndCap[2]],center=true);
}
}
//-- Cut wiring channels out of strip
module MakeMount(Layout = DefaultLayout) {
BarLength = Layout[NUMSEGS] * Segment[SEGLENGTH];
difference() {
MakeStrip(Layout);
if (Layout[WIRELEFT] == "Wire")
translate([BarLength/2,0,0])
MakeWireChannel(Layout,"Left");
if (Layout[WIRERIGHT] == "Wire")
translate([-BarLength/2,0,0])
MakeWireChannel(Layout,"Right");
}
}
//- Build it
ShowPegGrid();
if (Layout == "Channels") {
translate([ (2*WireChannel + 1.0),0,0]) MakeWireChannel(DefaultLayout,"Left");
translate([-(2*WireChannel + 1.0),0,0]) MakeWireChannel(DefaultLayout,"Right");
}
if (Layout == "Strip") {
MakeStrip(DefaultLayout);
}
if (Layout == "Show") {
MakeMount(DefaultLayout);
}
if (Layout == "Build") {
translate([0,(3*Segment[SEGWIDTH]),0]) MakeMount([1,2,"Wire","Wire"]); // rear left side, vertical
translate([0,0,0]) MakeMount([5,2,"Wire","NoWire"]); // rear top, across arm
translate([0,-(3*Segment[SEGWIDTH]),0]) MakeMount([6,2,"NoWire","Wire"]); // front top, across arm
}
The Smell of Molten Projects in the Morning 